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It’s that time of year when the weather is starting to get warmer, things are blossoming, and people are generally happier. Though, while most folks may not actually break into song in real life, it happens all the time in movies, whether they’re happy, sad, or even blaming Canada. This week, a wide-ranging batch of musical and music-related films helps celebrate these and other high-spirited moods.



Robert Altman’s Popeye (1980) was not well received in its day, but it was a hit and is still a unique comedy musical. Altman’s laid-back observational direction really helps bring the seaside sets to life, both heightening and stripping away the artificiality. Harry Nilsson composed the sweet, silly songs (like “He’s Large”) and cartoonist Jules Feiffer wrote the offbeat screenplay. Robin Williams makes a great Popeye, using his comic gifts to perfectly imitate the cartoon character, but Shelley Duvall as Olive Oyl is one of the great casting achievements in history.

The Muppet Movie


After their success on the small screen with a hilarious combination of vaudeville and self-aware humor, Jim Henson’s creatures made their incredible big screen debut with The Muppet Movie (1979). The jokes are great, the visual effects—fully, upright, walking Muppets—are impressive, the guest stars (Steve Martin, Richard Pryor, Bob Hope, Orson Welles, and so on) are stellar. But Paul Williams’ music is the highlight, ranging from Dr. Teeth and the Electric Mayhem’s “Can You Picture That” to Fozzie Bear’s “Movin’ Right Along” and Kermit’s Oscar-nominated “The Rainbow Connection.”

Funny Face


Though Stanley Donen’s Singin’ in the Rain is considered the greatest musical of all time, his follow-up effort, Funny Face (1957), starring Fred Astaire and Audrey Hepburn, is even more colorful and inventive in its own way. Astaire plays a Richard Avedon-like fashion photographer who discovers a bookish beauty (Hepburn) during a shoot in a bookshop. Some of the fashion shoot sequences are astounding in their depth, color, and design, but Hepburn outshines them all. Despite the fact that Astaire was about 30 years older than Hepburn, their classy chemistry still seemed just right.

Boccaccio ’70 (expiring 4/11)


Though Boccaccio ’70 (1962) isn’t a musical, it features another of the 20th century’s most radiantly beautiful stars, Sophia Loren, singing a catchy little number called “Soldi, Soldi, Soldi,” that will win your heart with its adorable, feisty energy. She stars in a segment directed by Vittorio De Sica about a beautiful carnival worker who, each night, is the “prize” in a lottery entered by eager men. The other three segments in this Italian anthology film were directed by Luchino Visconti, Federico Fellini, and Mario Monicelli.

Blue Hawaii


Everyone knows that, with a few exceptions, Elvis Presley’s movies were not exactly the high point of his career—or of musicals in general. But there’s no denying the King’s charisma when he sings, and that’s often good enough. In the relaxing, open-aired Blue Hawaii (1961), Elvis (at top) plays an ex-military man who returns home to Hawaii, where he’s pressured to work in his family’s pineapple plant. But he’d rather play on the beach with his friends. Fortunately, his girlfriend comes up with a solution for another job. Songs include “Can’t Help Falling in Love” and the incredible “Rock-a-Hula Baby.”

Rock ’n’ Roll High School


Rock ’n’ Roll changed quite a bit in twenty years, and when the Ramones hit the big screen in Rock ’n’ Roll High School (1979), things had sped up and become a whole lot more fun. The movie focuses on a teen Ramones fan (P.J. Soles) trying to negotiate high school under a strict new principal (Mary Woronov) while getting ready for the big Ramones concert. The band recorded the song “Rock ’n’ Roll High School” especially for the occasion. Future director Joe Dante and John Ford biographer Joseph McBride both worked on the screenplay. The great Roger Corman produced.

Dr. Horrible’s Sing-a-Long Blog


Often, musicals can be weird, odd, and totally unexpected, such as Joss Whedon’s Dr. Horrible’s Sing-Along Blog (2008). Conceived during a writer’s strike, Whedon created the story as a three-part miniseries to be released via the internet. (It’s now available in one 43-minute movie.) Neil Patrick Harris plays the good-hearted supervillain who wants two things: to join the League of Evil, and to date a cute girl from the local laundromat (Felicia Day). Unfortunately, the arrogant, selfish superhero Captain Hammer (Nathan Fillion) gets in his way. Occasionally, characters break into funny, sweet songs, though the story does not quite go where you might expect.

South Park: Bigger, Longer & Uncut


If Dr. Horrible’s Sing-Along Blog isn’t one of the darkest musicals ever made, Trey Parker’s South Park: Bigger, Longer & Uncut (1999) may well be. It’s a fearless satire about a filthy movie that causes Americans to declare war on Canada. It takes aim and skewers many sacred cows and hot topics with genuine laughs. And, yes, it’s a musical. The song “Blame Canada” actually received an Oscar nomination! George Clooney and Brent Spiner provide voices, and Minnie Driver plays the voice of Brooke Shields.

Sarah Silverman: Jesus Is Magic (expiring 4/1)


The lovely and talented Sarah Silverman provides more irreverent humor in her one-woman concert film, performance piece, and musical, Sarah Silverman: Jesus Is Magic (2005). Based on masterful timing and booby-trapped delivery, her humor knows no bounds, hitting on 9/11, the Holocaust, sex, and just about anything else. Interspersed between sections of her stand-up act, she performs several sketches and musical numbers. They may not be polished, but they’re certainly enthusiastic and truthful.

We Jam Econo: The Story of the Minutemen (expiring 4/11)


Tim Irwin’s We Jam Econo: The Story of the Minutemen (2005), about the great 1980s punk rock band from San Pedro, California, is one of the best rock movies ever made. Celebrating the band’s short, meteoric career, this passionate, energetic film highlights the history of the band, including the creation of its 1984 landmark album Double Nickels on the Dime. More than that, however, the film captures the genuine friendship and adoration between the band’s genius leader, D. Boon (who died in a car crash in 1985) and bassist Mike Watt. Watt’s onscreen interviews are surprisingly heartfelt and elevate this to a level way beyond the usual VH1 special.

What’s new

  • Backtrack
  • Big Fish
  • Blue Collar
  • The Brink’s Job
  • China Girl
  • Deadfall
  • Down and Out in Beverly Hills
  • The Man from Snowy River
  • Manhunter
  • Marriage Italian Style
  • The Mask of Zorro
  • Nicholas Nickleby
  • An Officer and a Gentleman
  • Our Hospitality
  • Pretty in Pink
  • Sherlock Jr.
  • White Zombie
  • Yesterday, Today and Tomorrow

Expiring soon

  • Ab-Normal Beauty (4/1)
  • Affliction (3/30)
  • Bad Boys (3/30)
  • Basic Instinct (4/1)
  • The Cave of the Yellow Dog (4/1)
  • Code 46 (4/1)
  • Crash (4/6)
  • Death Wish (4/1)
  • Deliver Us from Evil (3/30)
  • Dragonslayer (4/1)
  • Jesus’ Son (4/1)
  • Joe Kidd (4/1)
  • Juice (4/1)
  • Just Like Home (4/8)
  • The Last Exorcism (4/3)
  • Mad Dog and Glory (4/1)
  • Oldboy (4/1)
  • Paranormal Activity 2 (4/7)
  • The Passion of the Christ (4/6)
  • Ran (3/30)
  • Rumble Fish (4/1)
  • Searching for Bobby Fischer (4/1)
  • Sheitan (4/1)
  • Shutter (4/1)
  • A Tale of Two Sisters (4/1)
  • Triad Election (4/1)
  • Two Mules for Sister Sara (4/1)
  • War, Inc. (4/1)
  • The Warriors (4/1)
  • The Weather Underground (4/11)
  • Winnebago Man (4/11)
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