Ian is an independent writer based in Tel Aviv, Israel. His current focus is on all things tech including mobile devices, desktop and laptop computers, software, social networks, Web apps, tech-related legislation and corporate tech news. More by Ian Paul
After Netflix made direct interconnection deals with Comcast and Verizon to boost the quality of its videos earlier in 2014, it was pretty much inevitable the streaming service would also strike an agreement with AT&T. Recently, the inevitable was confirmed: Netflix and AT&T came to an interconnection deal in May.
However, the deal will only start to improve streaming speeds for AT&T subscribers this week.
"We reached an interconnect agreement with AT&T in May and since then have been working together to provision additional interconnect capacity to improve the viewing experience for our mutual subscribers," Netflix said in a statement to TechHive. "We’re now beginning to turn up the connections, a process that should be complete in the coming days."
Jason Snell Senior VP, Editorial Director, TechHive
Jason oversees all editorial operations for TechHive, PCWorld, and Macworld. He has reviewed every major Apple product of the last few years, including the original iPhone and iPad as well as every major version of Mac OS X. More by Jason Snell
I’ve been reading comics on and off since I was a kid, and I went to college in San Diego, yet I never attended San Diego Comic-Con International until the release of the iPad. I was drawn by the impact that device would have on the comics industry, and sure enough, over the past five years there’s been massive change.
But the story that drew me to my first Comic-Con is, it seems to me, drawing to an end. The industry freak-outs about how digital comics were going to destroy printed comics and comic shops? They’re gone, by and large. (This doesn’t mean that the industry isn’t changing—just this week a venerable retailer announced it probably wouldn’t return to the show.) The shouting is over and digital comics are just another part of the landscape.
Comic-Con’s calendar used to be populated with panels about the state of digital comics versus printed comics, and what the future would bring. This year it was a nonissue. The most interesting iPad-related session I saw featured Kristy and Brian Miller of Hi-Fi Colour Design demonstrating how you can draw, ink, and paint comics at full quality, entirely using iPad apps such as Autodesk’s Sketchbook Pro, Adobe Ideas, and Savage Interactive’s Procreate.
James Careless has been covering the Internet since the days of 1200 baud modems. His credits include Business Week, KM World, Network World, PCWorld, and Streaming Media. More by James Careless
It took Rhapsody—the RealNetworks’ spinoff that pioneered the
flat-fee online music subscription business—10 years to hit the
million subscriber mark in December 2011. It only took from then to
today for Rhapsody to achieve 2 million subs. That’s progress!
Of course, Rhapsody remains dwarfed by Spotify’s 10 million paying
subscribers. But the Little Streaming Company That Started It All has
definitely upped its game as of late, due to a recent deal with
T-Mobile. Under the deal, T-Mobile subscribers get Rhapsody unRadio’s
ad-free, no-skip-limit, user-selectable music service anywhere from a
dollar off Rhapsody’s $5/month rate, to entirely free, depending on which
T-Mobile plan they have.
What the sudden closing of Microsoft’s Xbox Entertainment Studios should not be seen as is an indicator that other companies plan to dial back their efforts to develop more original online video.
Last week, Microsoft announced plans to shutter its fledgling effort to produce original online content for its Xbox consoles, instead choosing to refocus Xbox efforts on gaming. Some of the projects in the works will continue, most notably the live-action series based on Halo, and some of top executives will remain to see those projects through. But the ambitious programming plans Microsoft laid out earlier this year are dead in the water.
It's been nearly two months since Variety and The Wall Street Journal reported Google was "in talks" to purchase popular games streaming site Twitch.tv for a billion dollars. According to VentureBeat, we can now upgrade the status from "in talks" to "sealed deal."
The report is unconfirmed currently, with VentureBeat only citing "sources familiar with the matter," but it'd hardly be a surprise if true. Details are scarce though—neither company has spoken on the matter, and there's no news of whether just Twitch or all of the empire formerly know as Justin.tv is also part of the deal. We also don't know whether YouTube's own streaming service would continue to function separately from Google. Here's hoping that if the acquisition rumors are true, Google+ won't become mandatory for Twitch accounts.
I stand by what I said back in May: Google's acquisition of Twitch is not necessarily bad for streamers. Despite Google's somewhat overbearing attitude towards copyright enforcement and Google+, there's no denying that Google has both the cash and knowledge to upgrade Twitch's infrastructure, turn it into a more robust service, and pay more streamers for their work. As long as Twitch is given space to function and the money to expand, the Google acquisition could be a great opportunity.
Monty Ashley lives in Seattle, where he watches movies and television, reads books, and plays games. He's trying to learn Latin, for reasons known only to him. He has written for Wizards of the Coast, Television Without Pity, and Previously.TV, and podcasts with The Incomparable. More by Monty Ashley
It’s not hard to find TV shows to watch these days. But finding good ones to watch amid all the streaming video services fighting for your attention and your eyeballs? That’s more of a challenge. Every other week, we’ll help you separate a would-be House of Cards from the rest of the pack, as we look at which streaming TV shows are worth your time.
Ricky Gervais has made quite a career out of playing unpleasant people. On the original UK version of The Office, he played a deluded, sadistic boss. On Extras, he played a frustrated, angry actor. On The Ricky Gervais Show, he created a podcast largely built around himself and Stephen Merchant mocking their weird friend Karl Pilkington. When he’s hosted the Golden Globes, he’s made headlines by being slightly meaner than is normally acceptable in the context of a back-slapping award show. So it’s surprising that his latest show, Derek (allegedly a “Netflix Original” but really created for Channel 4 in Britain), is a nice, sweet show, featuring Gervais as Derek Noakes, a nice, sweet character.
It’s even more surprising that a show that Americans could only watch on Netflix streaming got Gervais an Emmy nomination earlier this month for Outstanding Lead Actor in a Comedy. (He’s up against Jim Parsons [The Big Bang Theory], William H. Macy [Shameless], Matt LeBlanc [Episodes], Louis C.K. [Louie], and Don Cheadle [House of Lies]. Of the six nominated actors, only Parsons is on a show that airs on a broadcast network. Louie is on FX, and all the rest are on Showtime, which is apparently the center of Emmy-approved comedy these days.)
Current and new Chromecast owners can get 90 days free and then continue at $10 per month thereafter. The promotion is available only in the U.S. If you are a current Chromecast owner, head the Chromecast offers page. It will then find your Chromecast if it is connected to your WiFi network and generate an offer for you to claim. Unfortunately, the offer does not apply to those who are currently Play Music All Access subscribers.