Sweden’s parliament has voted in favor of a law that bans taking pictures and filming in a private environment without first getting permission from people in attendance. Critics say the law is too ambiguous.

The Swedish Committee on Justice said the law, which goes into effect July 1, is needed since photographs or movies secretly shot in private settings can seriously violate an individual’s privacy, and protection has been inadequate.

Technical advances also have exacerbated the situation because it is possible to shoot in almost any location, at any time and under any conditions, and then immediately publish the images and videos on the Internet, the committee said.

To break the law, photos or videos have to be shot without permission, and the subjects must be in a private environment or place where the expectation of privacy is obvious, like a home, bathroom, or changing room.

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A new stabilization system for the Phantom remote-controlled flying drone helps it capture stunning landscapes and maneuver in tight spaces.

The two-axis Zen Muse gimbal from aerial videography company DJI allows a GoPro Hero 3 action camera to be mounted underneath a Phantom quadricopter made by the same company. The result is a camera that can be remotely controlled by the pilot and video that doesn’t suffer from the jitters and rockiness usually associated with drone footage.

“We have all these people who have been buying Phantoms and trying to use them in these professional instances,” said Colin Guinn, CEO of DJI. “But because the camera is directly attached to the Phantom you have a lot of shake in your footage.”

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Blackmagic Design may be known for high-end video production equipment. But at the NAB show in Las Vegas this week, it introduced a pocket-sized camera that will let content producers get the sort of cinematic look that usually comes from higher-priced equipment.

The Blackmagic Pocket Cinema Camera comes with a $995 price tag and features a Super 16mm-sized 1080HD sensor and 13 stops of dynamic range. It records to SD cards and has a Micro Four Thirds Lens mount. The sub-$1000 cost doesn’t include a lens, but Micro Four Thirds lenses start at around $100. The pocket cinema camera will be available in July.

For content creators looking for a higher-end camera, Blackmagic also showed off the $3995 Production Camera 4K. It can shoot 4K video with a Super 35mm sized sensor. It will also be out in July.

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Japanese camera manufacturer Canon has developed a large sensor chip for shooting video in extremely dim conditions.

The company said its new 35mm CMOS sensor can shoot high-definition video in environments with 0.03 lux of illumination, at which the human eye has difficulty distinguishing objects. The company said it can record stars with a magnitude of 8.5, compared to the magnitude 6 stars that can be detected using traditional low-light CCD sensors.

On a given size of CMOS sensor the only way to increase resolution, the major selling point for cameras, is to reduce the size of individual pixels. But this cuts down on their surface area and the amount of light they can capture, so sensors with higher resolution typically shoot lower quality in low-light situations.

Canon's new sensor achieves its high sensitivity by increasing the size of individual pixels and lowering the overall count. The company said it has about 2 megapixels, about one-tenth the number of its high-end cameras, but each pixel has about 7.5 times the surface area. It also features modified hardware and algorithms to decrease noise in dark environments.

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Technological advancements have wrought awesome and unprecedented change in the video and photography markets. Almost any camcorder can record at 1080 resolution. Heck, even newer Internet Protocol security cameras are capable of producing high-resolution video. Digital still cameras, meanwhile, snap pictures with even higher resolution. The software for editing all those photographs and video has kept pace, too

Here are our picks of the best photography and video products of 2012.  

Adobe Creative Suite 6 (artistic software) 

Number 16 on our top 100 list, this suite is full of technological triumphs, from its support for GPU acceleration in Photoshop CS6 and Premiere Pro CS6, to Dreamweaver CS6’s ability to output smartphone apps for almost any mobile operating system by transferring their production to the cloud.

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Though image stabilization in cameras and cell phones has come a long way, it's still got a long way to go. Video stabilizer Mercalli Easy ($20, free demo) is easy-to-use software for your PC that offers what some cameras don't: An automatic and effective solution for stabilization and other issues in your videos.

Using Mercalli Easy is a snap. Drag the imperfect video to the program's main window, press the play button, and save the result.

Pros may need more control over the process, which can be found in vendor proDAD's more expensive offerings, but the average user should be more than pleased with the results of Mercalli Easy.

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When I pulled the HC-V700M out of its box, I was underwhelmed—this dowdy dark gray model has only slightly more sex appeal than a boiled potato. But I found this camcorder generally easy to use, it shoots exceptional video, and comes with a lot of well-implemented extras. Panasonic didn’t get everything right with this model, as I'll discuss below. But it got enough right to make this camcorder a very good value for Panasonic’s direct online price of $540, and a compelling value for Amazon.com’s $462 price.

Stubby, you’ve got talent

Measuring 4.2-by-2.7-by-2.5 inches, and weighing 11 ounces, the HC-V700M is too plump to fit into pants pockets and most jacket pockets. But it’s compact and light for a traditional camcorder, and, looking around the unit, I saw that Panasonic consistently went the extra mile. The lens cover snaps open and shut when you turn the device on and off. You get both a light for shooting video and a flash for still shots. The camcorder comes with a generous 16GB of internal memory plus a slot that accepts SDXC (up to 64GB) memory cards. It’s also one of the most affordable models I’ve seen to offer RGB as well as composite video output. RGB, also called component video, can offer better color quality than composite video.

Professional touches

The HC-V700M even comes with a couple of prosumer elements: A jack for an external microphone and a hot-shoe mount (using the supplied adapter). Panasonic offers an optional 10-watt video light (VW-LDC103, $108) that pops into the hot-shoe. That said, the built-in video light and flash work exceptionally well. Shooting in total darkness, I captured clean crisp video and still shots of place names on a wall map from as far away as 10 feet.

The HC-V700M offers more than the usual set of video recording formats. It’s one of the first mainstream models to let you shoot in Full HD (1920-by-1080) at 60 progressive frames per second, up from the previous progressive-frame limit of 30. You also get the choice of four levels of AVCHD 1080/60i at bitrates ranging from five to 17 Mbps. Panasonic also includes iFrame, for people partial to shooting in Apple’s home-grown video format.

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Ever had a hard time trying to choose between a pocket camcorder and a more capable but bulkier traditional model? So have I, which is why JVC’s new Everio GZ-V500 caught my eye. Into this mid-priced model, JVC tried to pack some big camcorder prowess into a pocket-sized case. It partly succeeds, but with some downsides.

At 4.5-by-2.3-by-1.5 inches, this Everio is as pocket-able as the pistol-grip pocket cams we’ve looked at recently, like Panasonic’s HMX-WA2 and Toshiba’s Camileo P100. At the same time, it comes with big-camcorder features like a decent optical zoom (10x), large aperture lens (F1.2), and optical image stabilization. The hand strap and flip-out screen let you hold the camcorder with both hands, making it easier to stabilize and thus shoot more smoothly than with a pocket model. Instead of the more typical rounded barrel-style body, this Everio has a flat, thin squarish body. It’s not the sexiest model to come down the pike, but it’s very portable; you can easily slip it into a pants or shirt pocket. This little Everio is dense, weighing eight ounces (with the battery), and feels solid and durable.

Video quality is mediocre

What most of us hope to get from a traditional camcorder is sharp, crisp, video. Like many smaller camcorders, the Everio GZ-V500 falls a little short in that regard. For my tests, I set the video resolution to JVC’s XP setting (1080/60i at 17Mbps AVCHD), close to the typical Full HD setting you find on most camcorders. Even at this setting in strong late afternoon light, the subjects lacked crispness, colors looked pale, and subjects started to blur even when I panned and tilted fairly slowly. This could be due in part to the relatively small CMOS-BSI sensor, measuring slightly under a quarter inch. This Everio's video quality also failed to impress Macworld's Test Center jury, which gave it a merely average rating.

To this camcorder's credit, the image quality the camcorder offers is mostly preserved in lower light shooting. I shot the low-light tests just after sunset, with plenty of ambient light still remaining, but no direct sun. Images looked a little fuzzier and less distinct, and I saw a little more motion blur, but colors didn’t look much worse, and the auto-focus worked almost perfectly.

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This Everio measures just 4.7-by-2.2-by-2 inches and weighs 7.6 ounces (with the battery). It's similar to a pocket model, only twice as thick and heavy. Even so, you can very easily pop this camcorder into a coat pocket.

For the price ($279), this camcorder seemed almost too good to be true. Unfortunately, I found a few serious drawbacks, and for many, this little unit won’t satisfy video shooting needs. Even some of the sub-$200 pocket camcorders have features that outclass those on the Everio GZ-E200, such as a larger sensor, higher still-shot resolution, and longer battery life.

Image quality and problems

This Everio stumbles where it matters most: video and still shots. For my full-light tests, I recorded the neighborhood around my home in late afternoon. I set the video resolution to JVC’s XP setting (1080/60i at 17Mbps AVCHD), which most closely matches the Full HD setting on most camcorders. Even at this setting in full light, the results were unimpressive. The beige wall of my neighbor’s house looked washed out in places, and subjects started to blur even when I panned at a moderate pace.

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Look no further than the category-defining Flip: Originating just five years ago, Pure Digital’s pocket camcorder caught on as a surprise hit, became the top-selling camcorder in the United States, and attracted nearly $600 million in a buyout by Cisco. Merely two years after that sale, Cisco discontinued the Flip line--while the Flip was still the top-selling video camera on the market.

You can chalk up Flip's abrupt end to the rise of smartphones, which not only shoot serviceable high-def video but also allow you to share that footage nearly instantly. In terms of sharing features, however, the Sony Bloggie Live MHS-TS55 ($250 as of March 13, 2012) is the first pocket camcorder out there that's putting up a fight.

Sony built the Bloggie Live with one-upping smartphones in mind: According to the company, the product's video capabilities were developed specifically to outshine those in Apple’s iPhone 4S and Samsung’s Galaxy S II phones, and the Bloggie Live is also the first pocket camcorder on the market to offer live streaming via Wi-Fi and peer-to-peer sharing with smartphones and tablets. It shoots 1080p video, takes 12-megapixel photos, and sports a slick design. Ultimately, though, that all adds up to a talented underdog in a brutal NCAA tournament stacked with powerhouse mobile devices.

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Humans are list-making animals. At no time is that impulse more prevalent than December, when we set ourselves the task of churning out year-end retrospectives. In the tech universe, those lists generally call out the best products, the splashiest debuts, and the most promising technologies of the year (see, for instance, PCWorld’s own “100 Best Products of 2011"). But there are tech losers each year, too--products, concepts, and services that kick the proverbial bucket. Some, like the vile Rustock botnet (taken down in March), we were glad to see go.

Other tech demises evoke genuine regret: good products lost in the ferocious market of 2011, tech initiatives that grew too expensive to retain their sponsor’s funding, even well-engineered gear that simply never caught on with the public. Herewith, my respects to 10 tech goners that we at PCWorld are truly going to miss.

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Star watchers are anticipating the near-Earth fly-by of asteroid 2012 DA14 Friday afternoon. But residents in central Russia saw a far more dramatic site Friday morning when a meteorite hurtled toward the ground near the city of Chelyabinsk. The event was captured widely by smartphones and dash-mounted cameras. Morning commuters were surprised to see a bright light streaking out of the sky followed by a large explosion that blew out windows causing debris and injuring a reported 500 people.

It’s not clear if the meteorite crashed to the ground in one or several pieces, or exploded in the atmosphere. The Russian Academy of Science estimates that the meteorite weighed about 10 tons before it entered Earth’s atmosphere, according to a Russia Today tweet.

The meteorite could be seen as far away as 125 miles, according to Reuters. This purported video of the event (see below) shows a bright light streaking out of the sky. Many drivers in Russia have dash-mounted cameras in their cars to capture evidence for any possible traffic accidents, The Verge reports. But this also allows drivers to capture any other odd events that happen along the way.

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Dutch film producer and sports innovator Thijs Vrij has a vision: To make the world’s first body-worn sports camera mount that puts you in the picture. The 3rd Person View (funding through February 18) is designed to be so versatile that the user will be able to get “any shot in any sport”—certainly an ambitious claim—even with you in it.

The three-part system is made out of a special sandwich carbon (this was developed in tandem with composite material specialist Catamaranparts), ultra-thin alloy tubing, and stainless steel nuts and bolts. Weighing less 950 grams, the camera mount comes with a curved backplate on a waterproof adjustable sports belt, an adjustable camera pole, and a locking/release mechanism. SailVideoSystem, the company that Thjis founded, has been working on prototypes and testing for the last five months. In fact, there are several additional videos on the Kickstarter page that show some of the testing that’s been done.

As of the time of writing, the campaign is closing onto £8500 of its £10000 goal with time to spare. If you’re looking to get one of these babies for yourself (estimated for March delivery), you’re going to have pledge a minimum of £120 for the kite/windsurf version.

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LAS VEGAS? In the past year, Sony has been at the top of its game in terms of innovative cameras: the Cyber-shot RX100 is the best pocket camera we've ever tested, its Alpha NEX lineup of mirrorless cameras is getting stronger and Wi-Fi-enabled, and the company has been putting full-frame sensors in everything from pocketable cameras to interchangeable-lens camcorders.

This year's Cyber-shot CES announcements are focused on the much lower end, but according to the company, one of the new cameras offers some of the company's latest in-camera improvements.

Sony

The Sony Cyber-shot DSC-WX80 is an 8X-optical-zoom (25mm to 200mm) with Wi-Fi sharing capabilities, and the company claims it's the first model in the 2013 lineup to improve a number of hardware and software enhancements: very fast autofocus, an improved optical stabilization system, and real-time previews for creative modes such as single-color isolation.

The more-interesting imaging announcements from Sony Monday came in the realm of camcorders, as the very trippy Balanced Optical SteadyShot system, which uses a floating lens housing to correct severe hand shake, will be offered in many more of the company's camcorders this year.

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LAS VEGAS -- 2013 may be a tipping point for connected cameras, and Samsung's 2013 point-and-shoot lineup is a testament to that fact. The majority of the company's new cameras announced today offer built-in Wi-Fi capabilities for sharing photos directly from the camera and pairing up with mobile devices. Across the board, this might be the year where we see more connected cameras than "normal" models.

Like the interchangeable-lens, Wi-Fi-enabled Samsung NX300 announced last week, each of the new Samsung Smart cameras will be compatible with a new mobile app for Android and iOS that combines wireless uploading features and peer-to-peer sharing of photos and videos with paired mobile devices. Two new features include the ability to offload photos to Android smartphones while they're locked, as well as Mac OS X support for the connected cameras.

There's nothing as earth-shattering as the company's Android-powered Galaxy Camera in Samsung's early 2013 lineup, but there are a couple of notable long-zoom models.

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The past few months have seen some huge developments in the camera industry. A number of just-announced cameras will offer innovative features, surprisingly low prices, and wireless capabilities that rival those of your smartphone. From Wi-Fi-enabled DSLRs to Android-powered pocket zooms, here are the highlights.

Full-frame cameras in all shapes and sizes

Sensor size may have finally supplanted megapixel count as the top-line marketing spec for cameras, and that's a very good thing. A larger sensor almost always produces better image quality, especially in low-light environments, while a higher megapixel count can have negative effects on photo quality if the sensor itself isn't sufficiently big.

A few announcements in the past week show where the big-sensor trend is headed: We'll have more-capable cameras in a wider range of body styles (and in a few cases, carrying lower prices) than we've ever seen. Leading the trend are a number of new cameras that feature full-frame sensors as opposed to the APS-C-size sensors found in most consumer DSLRs. A full-frame sensor is more than twice the size of an APS-C sensor; that translates to better performance in low light, less visual noise at high ISO settings, a shallower depth of field in macro mode, and the ability to capture a wider field of view when you use a full-frame lens.

At the Photokina show in Cologne, Germany, both Canon and Nikon unveiled DSLRs containing full-frame sensors and sporting smaller bodies and significantly lower price tags than the companies' past full-frame offerings had. The Canon EOS 6D and Nikon D600 will each sell for around $2100 for the body only; that's about $1000 less than the full-frame Nikon D800 and $1400 less than the full-frame Canon EOS 5D Mark III.

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Sony seems to be pretty jazzed about its new 24.3-megapixel full-frame CMOS sensor, because they're adding it to everything: Premium point-and-shoot cameras, translucent-mirror models, and now, interchangeable-lens camcorders.

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Sony, which makes the camera modules used in the latest smartphones from Apple and Samsung, said Monday it will begin sales of a new image chip that is nearly half the size of current models.

The Tokyo-based electronics giant said its new CMOS sensors will begin shipping in October. The devices use a technology that "stacks" their processing circuitry under the pixels used to capture images, as opposed to laying it alongside as in current versions, leading to a smaller footprint that is more power efficient with faster processing.

Sony announced it had developed the new technology in January. The company is struggling with its electronics business and selling off other component factories but remains a world leader in digital imaging technology -- teardowns have shown that its tiny camera modules are used in both the Apple 4S and the Samsung Galaxy S3.

"The biggest benefit is that the new modules are much smaller," said Sony spokesman Jin Tomihari. "This will contribute to the demand for smaller components from makers of smartphones and other devices."

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You’re shopping for a camcorder, and you’re swamped by a sea of letters, numbers, and indecipherable acronyms—AVCHD, H.264/MPEG-4 AVC, MPEG-2. What do they all mean and which ones should you care about? Here's the lowdown.

Tale of two formats: MPEG4 vs. AVCHD

Each of the above labels describes a video format. Fortunately, most people have a simple choice: MPEG-4 or AVCHD. You decide between convenience (MPEG-4) and a wider variety of features (AVCHD). However, as camcorders, computers, video players, and editors grow more powerful, AVCHD format is gradually becoming as convenient to shoot, edit, and preview as MPEG-4, making it the clear choice for a growing number of video enthusiasts.

MPEG-4 is a standard format from the Moving Picture Experts Group and has been around for more than 20 years. The current version is officially called H.264/MPEG-4 AVC, but it's usually shortened to a snappy MPEG-4 (pronounced M-Peg-4). Social networking sites, video editors, and video players—including QuickTime—all work with MPEG-4 files. Thus, the MPEG-4 standard is popular on pocket point-and-shoot models, and with people who want to quickly shoot video and pop it onto YouTube or Facebook, which folks can view on their computers, tablets, and smartphones.

AVCHD (pronounced by its initials) stands for Advanced Video Coding High Definition. It arrived on the scene in 2006, is more fully featured than MPEG-4 and is rapidly gaining broad acceptance. Think of AVCHD as a kind of MPEG-4 "Plus’’. That’s because AVCHD is a container format that includes the MPEG-4 format, but tosses a lot of other stuff into the mix, like coding for audio, writing to different media including DVD and Blu-Ray discs, and Digital Rights Management, such as copy protection. AVCHD even gives you media presentation tools so you can add menu items, make slides, and add subtitles directly from your camcorder. With AVCHD format, you don’t need to export your video file to an editor to perform simple editing tasks. Unfortunately, AVCHD is an “all-or-nothing” format. You can’t buy an AVCHD camcorder and decide to shoot using just its MPEG-4 part. If the camcorder offers only AVCHD, you have to shoot in AVCHD format.

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The holidays are coming, which means that anyone reading this will probably be the de facto photographer and videographer for the family gatherings. (That's how you justified buying yourself that camera you were eying last holiday season, wasn't it?) But once you've filled your SD card up with irreplaceable memories, you'll need to find a way to share those photos without breaking the bank--or worse, filling everyone's email inboxes with artery-clogging attachments. And you can't really post the video of Christmas Eve dinner on YouTube until you find a way to cut out that five-minute segment of Aunt Edna drunkenly arguing with the UPS guy in the middle.

Fear not. We have three beginner-friendly how-tos that just might help you survive another December. First up is a quick rundown of four free video-editing services, from Windows Live Movie Maker to YouTube's own built-in editing features. You don't need to plunk down the cash for Final Cut Pro to make your home movies watchable (though your inner Scorsese might disagree)--just try these tools out for yourself.

After that, we'll walk you through a few photo-sharing services--Flickr, SmugMug, Picasa Web Albums, and PhotoBucket--to find the right sharing site for you. Seriously, don't be the guy that sends out a few dozen 10MB attachments. We mean it. That's right up there with forwarding dumb chain letters from the mid-90s for Things No Adult PC User Should Ever Do.

Finally, we have a few tips for buying a fancy new lens for your high-end digital camera (that's right, the one that's under the tree). After all, you were too busy recording those holiday family moments for posterity to be enjoying yourself. You deserve something nice!

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Introduction

The sum of all those parts is a buyer's market. Today's high-definition models are smaller, lighter, and more affordable than ever—and despite their tiny sizes, they capture more-vibrant colors, sharper video, and smoother motion than ever before. They also let you save footage to flash memory or hard-disk drives, upload footage to the Web with ease, and capture 3D video.

Whether you want to snag clips of your playful spaniel, create the next indie-film masterpiece, or shoot everything in 3D, we'll direct you to a camcorder that meets your needs.

Flash Is King Flash memory rules the camcorder world these days, but options abound. We help you decide among SD-card-based camcorders, fixed flash drives, and other options. more

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Buying the latest, greatest high-def camcorder or Digital SLR camera can be expensive, but the software you use to edit your footage doesn't have to be. A number of free or low-cost video editors do a very respectable job of prepping your home movies for sharing with friends, family, or the rest of the world.

1. Windows Live Movie Maker

Microsoft's Movie Maker has been available at no charge for years, but the latest Windows Live version is a very respectable video editor. In addition to the usual basic editing tools, Microsoft Movie Maker lets you add video themes, music, titles, and credits--and apply a few transitions, some pan and zoom effects, and various visual-effect filters. You can publish finished projects to Facebook, Flickr, and YouTube, or export them to your hard drive in 1080p HD or any of a range of other resolutions. If you've invested in a great HD camcorder and you're editing on a budget, Windows Live Movie Maker is a great tool to start with.

2. Video Spin

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Video chat is all the rage these days, thanks to new services such as Google+ Hangouts and Skype/Facebook integrated video chat. Video chatting is a great way to stay in touch with family and friends--seeing loved ones' faces on a computer screen is almost like actually being there.

If you're a video-chat newbie, shopping for webcams and setting up video calls can be a daunting process. Luckily, it isn't as hard as you think it is. Here's how to get started with video chat. You'll be reconnecting with relatives and pals in no time.

Choose a Webcam

When you're out webcam shopping, consider the following specs.

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A few decades ago, even a short, amateur film cost hundreds--or thousands--of dollars to make. And your friends couldn't see it unless you invited them over and set up the 16mm projector.

Today, the phone in your pocket, the PC on your desk, and the Internet offer the opportunity to prove yourself as the next Tim Burton...or the next Ed Wood.

Whether you're shooting an updated version of Oedipus Rex or merely polishing up your home movies, learning a few moderate skills can help you keep your work out of the Plan 9 From Outer Space category. First I'll show you how to get rid of the "shaky-cam" effect that makes so much phone-shot video unwatchable. Then I'll recommend a couple of programs for editing your masterpiece. And finally, I'll walk you through posting your work on YouTube.

Keep Your Smartphone Steady

Paul Greengrass used a shaky camera for dramatic effect in his Bourne movies, but the technique also nauseated some audience members. And you really don't want to make your family and friends ill.

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Well, not really, but we are seeing a resurgence in 3D feature films and, for the first time, live 3D TV. The difference this time around is that 3D imaging and playback are no longer the preserve of large studios: The ability to capture and view 3D footage has been incorporated into consumer electronics.

Right now, capturing, editing, and creating high-quality 3D footage is still expensive on the whole, but costs are coming down fast. Several consumer-level 3D cameras are on the market, and their presence has driven software companies to create plug-ins and updates for nonlinear editing (NLE) systems.

Shooting 3D Video

At the lower end of the market, you now have several options for shooting 3D video. These camcorders retail from $200 up to more than a thousand dollars, and most come with software that allows you to create your 3D film easily. Your options also vary as to whether you want a camcorder mostly designed for shooting 3D footage or a primarily 2D camcorder that allows you to shoot 3D as well.

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Matt Brown is an award-winning producer with nine years of experience in professional video production. He has used a Canon EOS 7D DSLR for many of his recent video projects, and he has shot and produced TV programs for the BBC, as well as documentaries, music videos, and commercials.

Why Should You Use a DSLR for Video?

One nice thing about using a DSLR for video is that you can pull the camera out of the box and start shooting right away. But to master the craft, you need to invest time and money in other equipment to get the most out of shooting video with a DSLR. For anyone used to broadcast cameras, this extra investment is understood; for people accustomed to consumer-level camcorders, however, this is a bit of a new setup. When budgeting for your DSLR, be aware that you'll need to set aside some cash for accessories if you want to get serious.

This guide is an overview of the general aspects of shooting video with a DSLR. Picking the right camera model is just as important as following the basic steps in this guide. The most important thing to ask yourself is what environments you'll be shooting in most frequently, and then buying a camera accordingly. Each camera has its pros and cons: Some are built for low-light shooting, some are very light, some are easy to use, and a lot of older DSLRs don't shoot video at all. Make sure to do your research by reading reviews, studying spec sheets, and getting some presale hands-on time with cameras before you make your initial investment.

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