Five Simple Tips for Better Fireworks Photos
This time of year, photographers dust off their cameras while dogs hide under the bed: It's fireworks season. Trance and Topher (my dogs) notwithstanding, I love fireworks displays--especially on the Fourth of July--and I'm always eager to capture some of the magic on film. In years past, I've given you detailed advice for shooting fireworks, but this year I've decided to distill it all down to five simple tips. Follow these, and you should have some nifty fireworks photos this year.
1. Use a Tripod, Of Course

2. Use the Right Exposure Setting
If you have a point-and-shoot camera, you might want to dial in the Fireworks mode. This setting gives you a somewhat slow shutter speed (probably about a half of a second, though it'll vary depending upon your particular camera) to capture the distinctive light trails formed by fireworks. I should point out that when using this setting, a tripod isn't essential, especially if you can brace the camera against something solid--like a car, chair, wall, or doorway.
Even better than Fireworks mode, though, is your camera's manual exposure mode. In manual mode, you can experiment with your own shutter speeds and aperture settings. And you can try longer shutter speeds for more dramatic photos. The great thing about using manual mode for fireworks is that there are few settings that are just plain "wrong," so you can experiment with a variety of settings to learn what works well, and what doesn't.
3. Control the Exposure With the Aperture

4. Control the Light Trails with the Shutter

5. Focus at Infinity (and Leave It There)
Finally, don't forget about the focus. If your camera is in Fireworks mode, it'll automatically set the lens to focus on infinity. But if you're handling the exposure details manually, set the focus at infinity and leave it there. The fireworks will all be far enough away that infinity is the right setting. If you leave the camera in auto-focus, you'll no doubt find that you'll miss shots while the camera "searches" for the right focus.
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Jondaar says that he stumbled across this group of flowers as he was experimenting with changing the depth of field using aperture priority mode, and this was the result. He used a Camera Fujifilm Finepix S9600.

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