Panasonic Lumix DMC-FS25
At a Glance
Panasonic Lumix DMC-FS25 Compact Camera
(Check Prices) via Amazon.com Marketplace
Amazon Shop buttons are programmatically attached to all reviews, regardless of products' final review scores. Our parent company, IDG, receives advertisement revenue for shopping activity generated by the links. Because the buttons are attached programmatically, they should not be interpreted as editorial endorsements.
The Lumix DMC-FS25 serves up a wide-angle lens, fun features, a huge LCD screen, and great battery life for the price.
Offering a wide-angle Leica lens, very good image quality, a big LCD, and excellent battery life, the Panasonic Lumix DMC-FS25 is a great, well-rounded pocket cam. It does cost a shade more than the competition (the suggested retail price is $250), but we've seen it available around the Web for closer to $200.
A few distinguishing characteristics make it a phenomenal buy if you can find it at that $200 price point, as well as a great value for $250. One of them is Panasonic's Intelligent Auto mode, which consists of six in-camera features working in tandem: optical image stabilization, ISO optimization, automatic scene selection, backlight correction, red-eye correction, and face detection.
Rather than having the user dive into the menus to choose this mode, Panasonic has put a dedicated Intelligent Auto button right next to the shutter button to turn it on. It's a very handy feature, and Intelligent Auto did a good job of selecting the right settings in my informal tests. Part of its success is the excellent optical image stabilization, which kept the image crisp both when zoomed in to the max and when I shook the camera around dramatically. Adding to the camera's list of key draws is its wide-angle chops, thanks to a 5X optical-zoom Leica lens that reaches from 29mm to 145mm.
A great feature, especially for a camera in this price range, is the AF Tracking mode, which lets you lock in on a moving subject and keep it in focus as the subject (or the photographer) moves around. In my informal tests, it worked best with bright, solid-colored objects; coupled with the optical image stabilization, it's very helpful for those who want to shoot sports or action scenes.
Another nice touch is the inclusion of a few unique selections among the 21 scene modes. You still get the old standbys, such as Portrait, Sports, Scenery, Sunset, and Fireworks, but rare options such as Pinhole (which mimics the effects of a pinhole camera), Film Grain (which applies a gritty black-and-white filter), and Photo Frame (which puts teen-centric, partytime borders around your shots) are also in the mix.
Other in-camera features include a burst mode that shoots about 2 images per second, manual and pre-set white balance selections, and seven different "color" modes that apply effects such as sepia tone and vivid colors.
In PC World Test Center jury evaluations, the Lumix DMC-FS25 earned one of the best image-quality scores in our group of about a dozen $200-range cameras. Color accuracy, exposure quality with the flash turned on, and image sharpness were all notable strong suits, earning it an overall image quality score of Very Good.
Battery life is also excellent. The Panasonic Lumix DMC-FS25 netted 320 shots on a single charge of its rechargeable lithium ion battery, for a battery life score of Very Good. Most other cameras in the $200 price range topped out at about 250 shots per charge.
Those who share Steve Jobs's disdain for physical buttons will meet their nemesis in this camera. The Lumix DMC-FS25 does its thing with a combination of buttons, switches, and a four-way navigational mini-joystick. That makes most functions a no-brainer to find, but the mini-joystick (which also doubles as one-touch access to exposure compensation, the flash, the self-timer, and the macro mode) is a bit small and finicky to use if you've got big hands.
Besides the joystick, four buttons adjoin the big, bright 3-inch-diagonal LCD on the back of the camera: one to access the camera modes, one that offers different looks for the viewfinder, one for the menus, and delete. There's also a toggle switch above the buttons to jump between capture and playback modes. Another toggle switch for powering the camera on and off rests on the top of the unit; next to that is the shutter button and zoom ring, as well as the aforementioned Intelligent Auto button.
To avoid shutter lag, the Lumix DMC-FS25 will capture shots instantly as long as you autofocus before snapping. If you don't autofocus first and simply press the shutter button, you'll get about a second of shutter lag.
The Lumix DMC-FS25 also records standard-definition video, but like many point-and-shoots, you can't zoom in and out while filming. Video is captured at three different settings as .mov files, all at 30 frames per second: 848-by-480 clips in WVGA mode, 640-by-480 clips in VGA mode, and 320-by-240 clips in QVGA mode.
It's an understatedly good-looking camera, too, although the brushed-metal faceplate looks a bit more solid than it feels. On the upside, the camera is a bit lighter than it looks, but, again, has a slightly hollow feel.
As with any tech purchase, it's best to try the Panasonic Lumix DMC-FS25 before you buy it, thanks to the love-it-or-hate-it mini-joystick that you use to access most of the menu functions. That's really the only main drawback of this camera, which offers a wide-angle lens, fun features, a huge LCD screen, and great battery life for the price. If you can find the Lumix DMC-FS25 around the $200 price point, it provides excellent value for the money.